Celebrating Labor Day: The Art and History of Social Justice

How Giuseppe Pellizza da Volpedo’s “The Fourth Estate” Became an Icon of Worker’s Rights
Pellizza da Volpedo: Il Quarto Stato (1901, Museo del Novecento, Milano)
Pellizza da Volpedo: Il Quarto Stato (1901, Museo del Novecento, Milano)

On May 1st, we not only celebrate a holiday but also honor a powerful symbol of social achievements and workers’ rights, evoking vivid images like Giuseppe Pellizza da Volpedo’s painting “The Fourth Estate.” This masterpiece has become an icon of the fight for social justice and social painting, a term rooted in the historical movements of Romanticism and later Naturalism.

The celebration of Labor Day in Europe was formalized in Paris in 1889 by delegates of the Second International and later introduced in Italy in 1891. However, during the Fascist era, the holiday was moved to April 21 to coincide with the founding of Rome, only to be restored to May 1st after World War II, solidifying its importance as a national day of rest.

Eugène Delacroix: La Libertà che guida il popolo” (Museo del Louvre, Parigi)
Eugène Delacroix: La Libertà che guida il popolo” (Museo del Louvre, Parigi)

Pellizza da Volpedo’s art reflects a deep sense of empathy and social critique, typical of many artists of his time. In a broader context, figures like Eugène Delacroix with his “Liberty Leading the People” and writers like Victor Hugo and Emile Zola used their works to highlight injustices and promote social change. These artists, through their paintings and writings, brought to light the struggles and aspirations of the working classes.

Pellizza da Volpedo: La Fiumana (1898, Pinacoteca di Brera, Milano)
Pellizza da Volpedo: La Fiumana (1898, Pinacoteca di Brera, Milano)

Specifically, “The Fourth Estate” is not only an artistic masterpiece but also a political and social manifesto. Its creation was long and intense, with countless preparatory sketches and photographs helping Pellizza perfect every detail, from facial expressions to the overall composition, culminating in a work that conveys a message of strength and dignity.

Pellizza da Volpedo: Ambasciatori della fame
Pellizza da Volpedo: Ambasciatori della fame

The painting, with its imposing dimensions, creates an almost tangible experience for viewers, who find themselves face to face with the depicted figures, feeling their determination and desire for respect. “The Fourth Estate” not only captures a moment of struggle but embodies the spirit of an era, closely linked to real events like the 1906 march of the rice weeders, vividly remembered by Andrea Tarchetti, reflecting workers’ determination to claim their rights.

Fotografia preparatoria di Pellizza da Volpedo
Fotografia preparatoria di Pellizza da Volpedo

Through these artistic and historical narratives, we can appreciate the profound interconnection between art, history, and social struggle, which continues to inspire and inform current and future generations about the importance of solidarity and social justice.

Marco Mattiuzzi

Andrea Tarchetti: manifestazione delle mondine vercellesi che rivendicano le 8 ore lavorative (1° giugno 1906)
Andrea Tarchetti: manifestazione mondine vercellesi che rivendicano le 8 ore lavorative (1° giugno 1906)
By Marco Mattiuzzi

A multifaceted artist, former teacher and communicator, he has dedicated years to art and communication. He taught classical guitar, exhibited photos and wrote in magazines. In the book sector, he promoted photography and art through HF Distribuzione, a company specialized in mail-order sales. He currently owns CYBERSPAZIO WEB & STREAMING HOSTING. In 2018, he created the Facebook group "Art Pills" with over 65,000 members and manages CYBERSPAZIO WEB RADIO dedicated to classical music. He collaborates with several cultural organizations in Vercelli, including Amici dei Musei and Artes Liberales.
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