History

Uncovering the Medieval Graffiti of Sant’Andrea Basilica in Vercelli

Uncovering the Medieval Graffiti of Sant’Andrea Basilica in Vercelli

The Basilica of Sant’Andrea in Vercelli, a splendid example of Gothic-Romanesque architecture, was built at the behest of Cardinal Guala Bicchieri between 1219 and 1227. This monument not only represents an architectural masterpiece but also houses precious medieval graffiti, a hidden heritage that deserves to be highlighted in tourist and historical guides.On the occasion of the 800th anniversary of the basilica's foundation, the Artes Liberales Association of Vercelli displayed photographic reproductions of some of these graffiti in the exhibition “Harmonies between Romanesque and Gothic.” Documented by the Vercelli Archaeological Group, these include symbols, inscriptions, and decorations that offer a fascinating…
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The Painted Lunette of Vercelli’s Salone Dugentesco: A Bridge to the Past

The Painted Lunette of Vercelli’s Salone Dugentesco: A Bridge to the Past

Above one of the portals of the Salone Dugentesco in Vercelli, the ancient hospital founded in the 13th century by Cardinal Guala Bicchieri, there is a painted lunette that, despite the passage of centuries, still tells a fascinating story. The lunette, though in precarious condition, offers a captivating image: Saint Andrew, Saint Peter, and the cardinal himself are depicted in a richly symbolic iconography. Guala Bicchieri, with his bearded face and lavishly decorated robe, is shown offering the Basilica of Saint Andrew to Christ.The façade of the Salone Dugentesco, once a hub of activity and care, still echoes the grandeur…
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The Immortality of the Soul According to Giordano Bruno

The Immortality of the Soul According to Giordano Bruno

"Io ho ritenuto e ritengo che le anime siano immortali... I Cattolici insegnano che non passano da un corpo in un altro, ma vanno in Paradiso, nel Purgatorio o nell'Inferno. Ma io ho ragionato profondamente e, parlando da filosofo, poiché l'anima non si trova senza corpo e tuttavia non è corpo, può essere in un corpo o in un altro, o passare da un corpo all'altro. Questo, se anche può non esser vero, è almeno verosimile, secondo l'opinione di Pitagora."(Giordano Bruno)"I have believed and still believe that souls are immortal... Catholics teach that they do not pass from one body…
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Discover the Enchantment of the Picciola Pharmacy Museum in Vercelli

Discover the Enchantment of the Picciola Pharmacy Museum in Vercelli

The Picciola Pharmacy Museum in Vercelli is a place where time seems to stand still, allowing visitors to immerse themselves in a past filled with mystery and charm. Upon entering, one is greeted by an atmosphere thick with ancient remedies and alchemical secrets, where modern science finds its roots.Visitors' eyes are immediately drawn to the wooden boxes lined up on the shelves, with faded labels bearing evocative names like "Bicarbonate of Soda," "Boric Acid," and "Paraffin." These containers, silent witnesses of a bygone era, hold stories of preparations and cures, of illnesses and recoveries. Each box is a window into…
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The Evolution of Time: From Monastic Hours to Mechanical Marvels in the Middle Ages

The Evolution of Time: From Monastic Hours to Mechanical Marvels in the Middle Ages

In the heart of the Middle Ages, a new conception of time began to take shape, transitioning from the fleeting shadows of canonical hours to the brilliant innovations of clock mechanisms. Originally, the day was punctuated by monastic prayers: Matins in the stillness of the night, Lauds at dawn, following the solar rhythm with Prime at 6:00 AM, Terce at 9:00 AM, Sext at noon, None at 3:00 PM, Vespers at sunset, and Compline before nightly rest. This division defined the essence of daily life, influencing not only clergy and nobility but also peasants and soldiers. Orologio astronomico di Praga…
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Rediscovering the Middle Ages: Innovations and Cultural Progress Unveiled

Rediscovering the Middle Ages: Innovations and Cultural Progress Unveiled

Friedrich Herlin: La circoncisione di Cristo, 1466 (Polittico di Rothenburg, Germania) The collective imagination often associates the Middle Ages with an era of darkness, where superstition, ignorance, and violence prevailed. This perception, solidified in the 18th century by the Enlightenment thinkers, overshadows the countless innovations and cultural progress that characterized this thousand-year period.Anything that appears backward today is commonly labeled as “medieval,” perpetuating the Enlightenment’s idea that condemned the Middle Ages as an era of fanaticism and religious obscurantism. However, it is essential to remember that the Middle Ages were also a melting pot of culture, legal developments, and revolutionary…
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The Risorgimento Epic: Gerolamo Induno’s Impact on Italian Narrative Painting

The Risorgimento Epic: Gerolamo Induno’s Impact on Italian Narrative Painting

The Risorgimento Epic, an extraordinary historical journey that shaped Italy between 1848 and 1860, stands out as a fascinating subject for art and history enthusiasts. The Risorgimento, focusing on the intellectual and artistic movements of the time, marks the rise of a new ruling class driven by liberal and progressive ideals.A key figure in this narrative is Gerolamo Induno (1825–1890), a renowned painter who, along with his brother Domenico Induno (1815–1878), also a prominent painter, actively participated in the Risorgimento movements. Gerolamo's artistic journey, which began under illustrious mentors such as Luigi Sabatelli and Francesco Hayez at the Brera Academy…
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Rediscovering Anna Koppitz: A Forgotten Talent in Art Photography

Rediscovering Anna Koppitz: A Forgotten Talent in Art Photography

Anna Koppitz, born in the echo of the last whispers of the 19th century, grew up in the shadow of her husband’s talent, Rudolf Koppitz, a renowned figure in Art Nouveau and a recognized master of Viennese art photography. History has long relegated Anna to a supportive role, hiding the truth behind a curtain of oblivion and injustice. She was seen merely as her husband's assistant. However, recent research has revealed a more complex and fascinating truth: Anna Koppitz was not just an assistant, but an artist in her own right, a talented photographer whose work deserves reevaluation in light…
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Exploring the Intersection of Art and Science at Milan’s Leonardo da Vinci Museum

Exploring the Intersection of Art and Science at Milan’s Leonardo da Vinci Museum

During my recent visit to the 'Leonardo da Vinci' Museum of Science and Technology in Milan, I was struck by a profound truth: art and science, seemingly divergent, are actually intimately connected through human creativity.As I crossed the threshold of the ancient Monastery of San Vittore, a building rich with history and transformed into this magnificent museum after the ravages of World War II, I felt like I was entering a temple dedicated not just to science, but also to art. Each hall, every displayed object, seemed to tell a story of exploration, challenge, creativity, and above all, humanity.The most…
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Francesco Hayez’s ‘The Kiss’: An Icon of Romantic Art and Its Historical Significance

Francesco Hayez’s ‘The Kiss’: An Icon of Romantic Art and Its Historical Significance

February 14th, Valentine's Day, is universally celebrated as the day of lovers, yet few remember it's also dedicated to the patron saint of those with epilepsy. In the art world, this date conjures a specific image: “The Kiss” by Francesco Hayez (1791-1882). This piece, now an icon of romantic love, overshadows the saint himself in the collective imagination.Francesco Hayez’s self-portrait (1862), housed in the Uffizi Gallery in Florence, offers an intimate glimpse into the artist at 71 years of age. “The Kiss,” originally titled “The Kiss. Episode of Youth. Costumes of the 14th Century” by the artist himself, was commissioned…
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